At the book fair last Saturday, I was delighted to find myself on a panel with three writers whose work I deeply admire:
Pam Duncan is the author of Moon Women, Plant Life, and The Big Beautiful, beautifully and sensitively realized stories of women. Fred Chappell is a former NC Poet Laureate, recipient of many prestigious awards including the Bollingen Prize in Poetry, and the author of numerous novels and collections of poetry. And there was Ron Rash, poet and novelist, whose Serena I've already said a lot about here and his The World Made Straight here.
The panel was moderated by Newt Smith, professor of English at Western Carolina and the topic was the sense of place in our work -- we all write about the western North Carolina mountains.
I admit to a feeling of being the odd man out, the thorn amidst the roses. These writers are all natives with family ties to the area stretching back for generations -- me, I'm the transplant. And they're all "literary writers" whereas I'm a writer of genre fiction -- just a "paperback writer."
Now, neither the moderator nor any of the panel members made me feel anything less than a colleague and an equal. But I know that the perception exists that genre fiction is somehow lesser than literary fiction -- indeed, that's one reason I chose to write mysteries -- it seemed less daunting.
Genre fiction (and that would include, mystery, romance, science fiction, horror, fantasy, romance, western and all their sub-categories) briefly, is written and read mainly for entertainment. Literary fiction, on the other hand, has loftier goals -- education and inspiration.
Genre fiction is plot driven -- and the plot can tend to the predictable -- whereas literary fiction is character driven. And, in general, the writing is of a higher standard -- more "literary," in fact.
I loved being on a panel with these folks --and I really didn't feel a need to apologize for what I write. In the end, we're all story tellers, all telling our stories the best we can.
Here's an excellent article on genre fiction vs. literary fiction
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Showing posts with label Ron Rash. Show all posts
Showing posts with label Ron Rash. Show all posts
Monday, November 16, 2009
Saturday, February 28, 2009
A Bookish Sort of a Day
It began to rain yesterday morning as I loaded my car for the trip to Columbia, SC and by the time I started out, it seemed to be settling in for the day. I was delighted, however, as I passed our little pond to catch sight of a pair of ducks -- rare visitors. I think they're Buffleheads -- but can't be sure. The telephoto option on my camera did its best but between the distance and the rain . . .
. . . the rain, through which I drove all the day, was never quite blinding but serious enough to make one slow down a bit. It was an enjoyable ride though as I had fascinating company. First there was Patrick Tull, reading Patrick O'Brian's The Reverse of the Medal. I adore this series, read by this reader, and have listened to all twenty-odd books time and again.
But even though I had new CDs waiting for me, I savored the last disc of this book, enjoying once again the stirring ending which is ( for those of you who have fussed at me for my cliffhanger ending of In a Dark Season) a cliffhanger. As a matter of fact, after his first few books, O'Brian's Aubrey/Maturin series is pretty much one uninterrupted story, broken into convenient book-sized chunks. And they all end in cliffhangers.
.
That episode of Jack Aubrey's and Stephen Maturin's adventures having come to an end, I pulled out my birthday present from my older boy and his wife -- a gorgeous box set of the audio edition of C.S.Lewis's Chronicles of Narnia. Here's another of my favorites -- I was introduced to Narnia in childhood and have read and reread the books many a time. But this is the first time anyone's read them to me -- and not just any anyone. Kenneth Branagh does the honors for the first book -- The Magician's Nephew. What a delight!
And almost before I knew it, I was in Columbia, SC, pulling into the parking garage right next to Ron Rash. (By chance, I swear. Poor guy probably thinks I'm a stalker.)
Then there was a grand reception last night at the Thomas Cooper Library with amazing food and authors everywhere.
There were poets (Susan Myers was one I got to talk to) and songwriters and writers of 'hen lit' and a very nice couple who write about barbecue (John and Dale Reed) and some mystery authors I 'know' from online loops (J.T. Ellison and C.J.Lyons) and two more (Fran Rizer and Mignon Ballard) who'll be on the SPOOKED panel with me tomorrow and John Milton in a glass case.
Well, not the poet himself, but amid this lively gathering of writers and readers in a library that smelled of books -- there was on display -- in glass cases scattered throughout the room where we were being entertained so lavishly -- a wonderful collection of Milton's work, including a first edition of Paradise Lost and many and various charmingly and alarmingly illustrated editions.
It was the perfect ending to a bookish sort of a day.
. . . the rain, through which I drove all the day, was never quite blinding but serious enough to make one slow down a bit. It was an enjoyable ride though as I had fascinating company. First there was Patrick Tull, reading Patrick O'Brian's The Reverse of the Medal. I adore this series, read by this reader, and have listened to all twenty-odd books time and again.
But even though I had new CDs waiting for me, I savored the last disc of this book, enjoying once again the stirring ending which is ( for those of you who have fussed at me for my cliffhanger ending of In a Dark Season) a cliffhanger. As a matter of fact, after his first few books, O'Brian's Aubrey/Maturin series is pretty much one uninterrupted story, broken into convenient book-sized chunks. And they all end in cliffhangers.
.
That episode of Jack Aubrey's and Stephen Maturin's adventures having come to an end, I pulled out my birthday present from my older boy and his wife -- a gorgeous box set of the audio edition of C.S.Lewis's Chronicles of Narnia. Here's another of my favorites -- I was introduced to Narnia in childhood and have read and reread the books many a time. But this is the first time anyone's read them to me -- and not just any anyone. Kenneth Branagh does the honors for the first book -- The Magician's Nephew. What a delight!And almost before I knew it, I was in Columbia, SC, pulling into the parking garage right next to Ron Rash. (By chance, I swear. Poor guy probably thinks I'm a stalker.)
Then there was a grand reception last night at the Thomas Cooper Library with amazing food and authors everywhere.
There were poets (Susan Myers was one I got to talk to) and songwriters and writers of 'hen lit' and a very nice couple who write about barbecue (John and Dale Reed) and some mystery authors I 'know' from online loops (J.T. Ellison and C.J.Lyons) and two more (Fran Rizer and Mignon Ballard) who'll be on the SPOOKED panel with me tomorrow and John Milton in a glass case.
Well, not the poet himself, but amid this lively gathering of writers and readers in a library that smelled of books -- there was on display -- in glass cases scattered throughout the room where we were being entertained so lavishly -- a wonderful collection of Milton's work, including a first edition of Paradise Lost and many and various charmingly and alarmingly illustrated editions.
It was the perfect ending to a bookish sort of a day.
Friday, January 30, 2009
The World Made Straight

Yesterday, after a necessary trip to the recycling center, the P.O., and the grocery, I came home and frivoled. I lay on the sofa by the fire and read Ron Rash's The World Made Straight -- a book that's been awaiting me for months.
It's beautifully written, as are all of RR's books, but, for me, the bonus is that it's set right here in Madison County -- and the names and the settings and the people are oh so familiar.
So familiar that I'm very glad I finished Birdie's book already. Rash's Travis and Dena bear a whole lot of similarity to my Calven and Prin. But then, we are writing about the same place, even if I call it Marshall County.
Possibly my favorite supporting character is the cold-bloodedly vicious Carlton Toomey -- the marijuana grower and drug dealer who puts on an ignorant hillbilly act when talking with the big-city drug dealers, but can actually speak Standard English and enjoys doing crossword puzzles. Oh, and he sings gospel with an angel's voice.
Toomey is a pretty horrible person but he's a fine example of the fact that few people are completely good or completely bad.
It's beautifully written, as are all of RR's books, but, for me, the bonus is that it's set right here in Madison County -- and the names and the settings and the people are oh so familiar.
So familiar that I'm very glad I finished Birdie's book already. Rash's Travis and Dena bear a whole lot of similarity to my Calven and Prin. But then, we are writing about the same place, even if I call it Marshall County.
Possibly my favorite supporting character is the cold-bloodedly vicious Carlton Toomey -- the marijuana grower and drug dealer who puts on an ignorant hillbilly act when talking with the big-city drug dealers, but can actually speak Standard English and enjoys doing crossword puzzles. Oh, and he sings gospel with an angel's voice.
Toomey is a pretty horrible person but he's a fine example of the fact that few people are completely good or completely bad.
The historical fact of the Shelton Laurel Massacre plays a major part in this story. Our county gained the title Bloody Madison during the Civil War mainly because people's sympathies were divided. The mountain folk, for the most part, were not slave holders and, seeing the war as a rich man's war, wanted no part of it. No matter -- when NC declared for the South, many were conscripted, others hid out, thus setting the stage for a neighbor against neighbor, even brother against brother struggle.
And as Rash's book points out, memory lingers.
Sunday, November 16, 2008
Ron Rash's SERENA
Ron Rash was the keynote speaker at the North Carolina Writers Network Fall Conference this weekend. He talked about the joys of research and the many paths he had followed in pursuit of subjects from logging to hunting with eagles -- Berkute eagles from Mongolia, that is -- during the writing of his latest, highly acclaimed novel, Serena.
Ron read a bit from the novel and I was hooked -- I'd already bought it and had gotten him to sign it but the little bit he read aloud truly roused my appetite. And when he mentioned that the story was a retelling of Macbeth and that there was a sort of Greek chorus of old loggers, commenting at regular intervals on the action, I had to start in right away.
Something about being an old English major makes me dearly love a modern book that follows the story line of a classic. That was what I enjoyed the most about Sharyn McCrumb's St. Dale -- the ties to The Canterbury Tales. I even tried to do something of that myself with the Lydy Goforth section of In a Dark Season -- there are quite a few parallels to The Odyssey. But I digress.
Ron read a bit from the novel and I was hooked -- I'd already bought it and had gotten him to sign it but the little bit he read aloud truly roused my appetite. And when he mentioned that the story was a retelling of Macbeth and that there was a sort of Greek chorus of old loggers, commenting at regular intervals on the action, I had to start in right away.
Something about being an old English major makes me dearly love a modern book that follows the story line of a classic. That was what I enjoyed the most about Sharyn McCrumb's St. Dale -- the ties to The Canterbury Tales. I even tried to do something of that myself with the Lydy Goforth section of In a Dark Season -- there are quite a few parallels to The Odyssey. But I digress.
Suffice it to say that the character of Serena can give Lady Macbeth a run for the money. She's intelligent, fearless, strong, beautiful, mysterious, sexually aggressive, and utterly ruthless. She rides a pure white Arabian horse and hunts rattlesnakes with the giant golden eagle that she had shipped all the way from Mongolia. I found her utterly compelling in her evil. I didn't like her at all -- she's a truly horrible person --but, oh my goodness, I did want to find out what was going to happen next.
The writing is beautiful -- what you'd expect from a poet -- and Ron Rash had three books of poetry to his credit, along with the other novels and short story collections.
This is a book crying to be made into a movie -- and, as one reviewer put it, the brave actress who plays Serena can expect an Academy Award.
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