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Showing posts with label Patrick O'Brian. Show all posts
Showing posts with label Patrick O'Brian. Show all posts

Sunday, March 6, 2011

Patrick O'Brian Again

We watched the film "Master and Commander" again last night and once again I was seduced by the accuracy of detail, the wonderful acting, the beautiful score, and the faithfulness to the sense of the original books, if not to the plot line. 

I've mentioned before my fondness for O'Brian's 20 book Aubrey/Maturin series. I've read the books multiple time and listened to them  on CD read by the amazing Patrick Tull more times than you would believe. An O'Brian book is my default listening in the car at any time.
But don't take my word for it. In a cover-story in The New York Times Book Review published on January 6, 1991, Richard Snow called the Aubrey-Maturin books "the best historical novels ever written. On every page Mr. O'Brian reminds us with subtle artistry of the most important of all historical lessons: that times change but people don't, that the griefs and follies and victories of the men and women who were here before us are in fact the maps of our own lives."

And in a Washington Post article published August 2, 1992, Ken Ringle wrote, "The Aubrey/Maturin series far beyond any episodic chronicle, ebbs and flows with the timeless tide of character and the human heart."

It's as if the close observation of human nature, the dry wit, and the elegant prose of Jane Austen  had gone to sea during the Napoleonic Wars and I find something  new to admire with every re-reading/listening/watching.

Need I add,  highly recommended?

(Book cover illustration and sea battle painting by the renowned marine artist Geoff Hunt
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Saturday, February 28, 2009

A Bookish Sort of a Day

It began to rain yesterday morning as I loaded my car for the trip to Columbia, SC and by the time I started out, it seemed to be settling in for the day. I was delighted, however, as I passed our little pond to catch sight of a pair of ducks -- rare visitors. I think they're Buffleheads -- but can't be sure. The telephoto option on my camera did its best but between the distance and the rain . . .

. . . the rain, through which I drove all the day, was never quite blinding but serious enough to make one slow down a bit. It was an enjoyable ride though as I had fascinating company. First there was Patrick Tull, reading Patrick O'Brian's The Reverse of the Medal. I adore this series, read by this reader, and have listened to all twenty-odd books time and again.

But even though I had new CDs waiting for me, I savored the last disc of this book, enjoying once again the stirring ending which is ( for those of you who have fussed at me for my cliffhanger ending of In a Dark Season) a cliffhanger. As a matter of fact, after his first few books, O'Brian's Aubrey/Maturin series is pretty much one uninterrupted story, broken into convenient book-sized chunks. And they all end in cliffhangers.
. That episode of Jack Aubrey's and Stephen Maturin's adventures having come to an end, I pulled out my birthday present from my older boy and his wife -- a gorgeous box set of the audio edition of C.S.Lewis's Chronicles of Narnia. Here's another of my favorites -- I was introduced to Narnia in childhood and have read and reread the books many a time. But this is the first time anyone's read them to me -- and not just any anyone. Kenneth Branagh does the honors for the first book -- The Magician's Nephew. What a delight!

And almost before I knew it, I was in Columbia, SC, pulling into the parking garage right next to Ron Rash. (By chance, I swear. Poor guy probably thinks I'm a stalker.)

Then there was a grand reception last night at the Thomas Cooper Library with amazing food and authors everywhere.

There were poets (Susan Myers was one I got to talk to) and songwriters and writers of 'hen lit' and a very nice couple who write about barbecue (John and Dale Reed) and some mystery authors I 'know' from online loops (J.T. Ellison and C.J.Lyons) and two more (Fran Rizer and Mignon Ballard) who'll be on the SPOOKED panel with me tomorrow and John Milton in a glass case.

Well, not the poet himself, but amid this lively gathering of writers and readers in a library that smelled of books -- there was on display -- in glass cases scattered throughout the room where we were being entertained so lavishly -- a wonderful collection of Milton's work, including a first edition of Paradise Lost and many and various charmingly and alarmingly illustrated editions.

It was the perfect ending to a bookish sort of a day.


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